Vol. I · No. 285Everything you need. Nothing you don't.Evening Edition

Oztir


The Flamingo · Evening Edition

Today's menu: a media merger with big questions, a music-distribution scrap, a Grammy guest list, and a pair of Vision reviews that don't quite agree.

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4Min read

Accenture exec: Paramount-Warner deal proves scale alone won't save media

In a Variety guest column, Accenture's John Peters says the Paramount Skydance-Warner Bros. Discovery combination is less interesting for its size than for what comes next. The merged Skydance Corp. ranks second in Nielsen's U.S. TV audience share. Peters argues the real contest is for audience attention, and that fan relationships matter more than library size. He cites Accenture research: more than nine in 10 media executives expect GenAI and new entrants to reshape the industry within two years. Legacy media spends about 6% of revenue on IT, versus 9%-10% at media units of tech companies. His forecast is that future deals will target capabilities, citing Fox's planned Roku purchase and Netflix's InterPositive acquisition.

Why it mattersRead this for a clear framework on why the next wave of media deals may be about skills and technology rather than size.

Full story at Variety →

DistroKid pulls some songs after Universal Music's AI 'slop' lawsuit

DistroKid has removed some user uploads in response to UMG's September lawsuit, Billboard confirmed. The suit accuses the distributor of deceptive trade practices and copyright infringement, alleging it flooded streamers with AI-generated music and infringing remixes or sped-up tracks. DistroKid's Amanda Ferri said a very small number of recordings came down, and the company strongly disputes the allegations. It isn't clear which type of music was removed, and some users say their takedowns involved neither AI nor unlicensed material. UMG's earlier suit against Believe and TuneCore settled in April.

Why it mattersYou should watch how distributors balance policing AI and infringing uploads against the risk of pulling legitimate independent releases.

Full story at Billboard →

Ynon Kreiz brings his Mattel playbook to Skydance as co-CEO

Ynon Kreiz joined David Ellison and Skydance's leadership team on the NYSE floor Thursday for the opening-bell ceremony. At Mattel he built an in-house entertainment arm and backed Barbie, which grossed over $1.4 billion worldwide. He also oversaw layoffs affecting nearly 300 employees at El Segundo headquarters. Now co-CEO at Skydance, he faces a $6 billion synergy target. Kreiz told CNBC most of that won't come from staff cuts, and promised respectful, transparent communication. One former Warners executive says he's there to reassure investors.

Why it mattersYou can expect cost-cutting at the combined company, so Kreiz's record at Mattel is the best preview of how it will be handled.

Full story at The Hollywood Reporter →

Variety finds 'VisionQuest' too tangled to connect emotionally

Variety's review says Marvel's eight-episode 'VisionQuest' mirrors its hero: an android trying, mostly in vain, to reach his feelings. Paul Bettany returns as Vision, who uses a virtual 'Mindspace' of AI helpers. James Spader's bearded, humbled Ultron is called highly entertaining. The critic argues that clever visuals get buried under convoluted backstory. The show also never clearly explains how the Mindspace affects the real world, and its large cast stretches the plot thin. The first two episodes arrive on Disney+ Oct. 14, then weekly on Wednesdays.

Why it mattersCheck this before deciding whether to carve out time for a lore-heavy sequel to 'WandaVision.'

Full story at Variety →

331 artists enter Grammys best new artist race; Don Toliver in, Megan Moroney out

Billboard has the entry list for best new artist at the 2027 Grammys: 331 artists, down from 337 last year. Don Toliver made it despite five straight top 10 albums, while Megan Moroney did not. The academy raised the allowed number of entries from three to four, which kept Ella Langley, Ken Carson and Geese in play. Langley is seen as a front-runner, perhaps alongside Sienna Spiro. ADÉLA wasn't submitted, likely saved for 2028. First-round voting runs through Oct. 22, nominations arrive Nov. 16, and winners are revealed Feb. 7.

Why it mattersUse this to see who's actually in the running before nominations come out next month.

Full story at Billboard →

'Primetime' writer Ajon Singh went from ignored script to hot commodity

Ajon Singh, 31, spent years driving Uber and working assistant jobs while his scripts were called too left of center. 'Primetime,' his spec about Chris Hansen and 'To Catch a Predator,' went unread around town until Robert Pattinson got hold of it. He signed on to produce, then agreed to star after a rewrite of the Hansen role. A24 released the $15 million film Sept. 24, and it has grossed $42 million domestically. Sixty-nine percent of its opening weekend audience was under 30. Singh is now in demand, with a 'Spider-Verse' spinoff among his projects. Hansen has threatened action against the studio.

Why it mattersYou'll like this as proof that a distinctive script, plus one well-placed fan, can still break through.

Full story at The Hollywood Reporter →

THR says Bettany and Spader lift 'VisionQuest' despite exhausting backstory

The Hollywood Reporter calls 'VisionQuest' sometimes moving and sometimes exhausting. Creator Terry Matalas has Vision living as an Edinburgh bartender until an assassin sends him on the run with Thomas, a grifter who is the reincarnation of his son. The reviewer praises the father-son bond and the Ultron-Jocasta romance, with Spader and T'Nia Miller as standouts. The complaint is the amount of time spent on characters explaining their origin stories. Like Variety, THR finds more heart in the performances than in the plotting. The eight-episode series lands on Disney+ this week.

Why it mattersLook to this review if you want to know whether the performances are worth the show's heavy exposition.

Full story at The Hollywood Reporter →

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